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Candyman: Farewell to the Flesh

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Candyman: Farewell to the Flesh
Theatrical release poster
Directed byBill Condon
Screenplay by
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Story byClive Barker
Produced by
Starring
CinematographyTobias A. Schliessler
Edited byVirginia Katz
Music byPhilip Glass
Production
company
Lava Productions[1]
Distributed byGramercy Pictures[1]
Release date
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  • March 17, 1995 (1995-03-17)
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Running time
95 minutes[1]
CountryUnited States[2]
LanguageEnglish
Box office$13.9 million[3]
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Candyman: Farewell to the Flesh is a 1995 American supernatural horror film directed by Bill Condon and starring Tony Todd, Kelly Rowan, William O'Leary, Bill Nunn, Matt Clark, and Veronica Cartwright. Written by Rand Ravich and Mark Kruger, it is a sequel to the 1992 film Candyman, which was an adaptation of Clive Barker's short story, "The Forbidden". Its plot follows a New Orleans schoolteacher who finds herself targeted by the Candyman, the powerful spirit of Daniel Robitaille, the murdered son of a slave who kills those who invoke him. +

Unlike its predecessor, the film received negative reviews from critics. It was followed by a third film, Candyman 3: Day of the Dead, which was released in 1999, and a fourth film, titled Candyman, a direct sequel to the original 1992 film, which was released in 2021. +

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Plot

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Three years after the Candyman murders in Chicago, Professor Phillip Purcell writes a book about the Candyman legend and hosts a lecture event in New Orleans discussing his life. He reveals Candyman's real name to be Daniel Robitaille and that he was born to enslaved Africans after the American Civil War. When Purcell is light-heartedly challenged by a member of the audience, he jokingly summons the Candyman in the mirror-like reflection of his book. +

After the event, Purcell runs into Ethan Tarrant, one of the attendees. Ethan's father, Coleman, was murdered while investigating the deaths of three men in a manner similar to the Candyman legend. Ethan angrily says that Purcell caused his father's death by telling him the Candyman doesn't exist, and that the Candyman then killed him. At first polite, Purcell becomes annoyed at Ethan's behaviour. He goes to a nearby bar, but is pursued and attacked by Ethan, who is thrown out by the barman. Purcell goes to the restroom to clean blood from his face and is killed by the Candyman. The case is handled by Detective Ray Levesque and his partner, Pam Carver. They consider Ethan a suspect given his confrontation with Purcell. +

Ethan's mother, Octavia, and his younger sister Annie, an art teacher, come to the station to defend him. Ethan is pressured by Levesque, who believes him to be guilty. In the meantime, Matthew Ellis, one of Annie's students, claims to have seen the Candyman. Annie tries to discredit the legend by invoking his name. Her husband, Paul, becomes one of his victims. The Candyman stalks Annie so he may kill her, and reveals that she is pregnant with Paul's daughter. +

At home one morning, Annie gets a visit from a couple of her students about Matthew disappearing. Annie meets with his father, Reverend Ellis, and learns Matthew had dreams of the Candyman and sketched out the events of his death. After talking with Ethan to uncover more on their father's murder, Annie visits Honore Thibideaux, Coleman's friend, unaware that Levesque is following her as a suspect. Honore tells Annie about Daniel Robitaille and his affair with a white woman named Caroline that led to his death and earning him the name "Candyman". Caroline's father taunted the dying Daniel with Caroline's mirror, capturing a part of his soul. Caroline hid the mirror in Daniel's birthplace and granted him the ability to kill when called upon. Annie's father believed that if the mirror is destroyed, it will end the curse. +

The Candyman appears and kills Honore. Levesque finds Honore's body and believes Annie killed him. Annie returns to Matthew's house and his father shows her documents of Daniel's birth and realizes he was born in the same house she was. The reverend leads Annie to a cemetery where she sees his grave with Caroline buried next to him and indicating that they had a daughter named Isabel. Going through old family pictures, Annie discovers she is a descendant of theirs and that Caroline bought Daniel's house where Annie and Ethan later grew up as children, and where Ethan discovered Coleman died as a result of him summoning the Candyman to defeat him. +

At the police station, Levesque tries to get Ethan to admit that Annie did the killings and he is covering for her. Levesque is killed by the Candyman after summoning him to mock Ethan, who is shot dead when he tries to escape. Annie confronts Octavia about the Candyman, and Octavia admits that Coleman tried to link their family to the Candyman, and continues to deny him to protect her family's name; incensed by her disbelief, the Candyman kills her, and Annie flees. With the police on her trail, Annie runs into Carver, who tells her she has seen how Levesque died on camera footage. She lets Annie escape. +

Annie goes to Daniel's birthplace and finds Matthew in an old shed. She falls through the stairs into the flooded basement, where she finds Caroline's mirror and the Candyman. Before he can sacrifice her, Annie destroys the mirror, annihilating him. The slave quarters crashes into the river, but Matthew saves Annie. Annie returns Matthew home where they both are blessed by Reverend Ellis at his church. +

Five years later, Annie teaches her young daughter Caroline about her family history, naming her after Daniel's lover. After Annie kisses her goodnight and leaves the room, Caroline starts to chant the Candyman's name. Annie stops her and tells her to go to bed. +

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Cast

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  • Tony Todd as Candyman / Daniel Robitaille
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  • Kelly Rowan as Annie Tarrant
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  • Bill Nunn as Reverend Ellis
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  • William O'Leary as Ethan Tarrant
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  • Veronica Cartwright as Octavia Tarrant
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  • Matt Clark as Honore Thibideaux
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  • Randy Oglesby as Heyward Sullivan
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  • Glen Gomez as the Kingfish
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  • Russell Buchanan as the voice of the Kingfish
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  • Joshua Gibran Mayweather as Matthew Ellis
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  • David Gianopoulos as Detective Ray Levesque
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  • Timothy Carhart as Paul McKeever
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  • Michael Bergeron as Coleman Tarrant
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  • Fay Hauser as Pam Carver
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  • Caroline Barclay as Caroline Sullivan
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  • Brianna Blanchard as Young Caroline McKeever
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  • Clotiel Bordeltier as Liz
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  • Michael Culkin as Phillip Purcell
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  • George Lemore as Drew
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  • Ralph Joseph as Mr. Jeffries
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  • Margaret Howell as Clara
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Production

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Development

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Bernard Rose, the director of 1992's Candyman, was originally supposed to work on the sequel.
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According to Virginia Madsen, Bernard Rose, the director of the 1992 Candyman film originally had another concept in mind for the sequel: +

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"They originally wanted us to do Candyman 2, but they didn't like Bernie's idea for the sequel. They made the Candyman into a slave which was terrible because the Candyman was educated and raised as a free man. Bernie wanted to make him like an African American Dracula which I think it was so appealing to the African American community because they finally had their own Dracula. The Candyman was a poet and smart. He wasn't really a monster. He was sort of that classical figure."
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"The sequel that Bernie wanted to make was a prequel where you see the Candyman and Helen fall in love. It was turned down because the studio didn't want to do an interracial love story."[4]
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In 2020, Bloody Disgusting reported that there was another unmade follow-up, titled Candyman II: The Midnight Meat Train. Rose was meant to be the director once again, and it was supposed to be about "a mythical figure" haunting the early 1990s London. The sequel would have been "somewhat based" on Clive Barker's Books of Blood short story, taking place in the subway.[5] Rose further elaborated: +

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"The idea was that the Jack the Ripper murders start to happen. And whereas the first Candyman was about race, the idea was to make the second Candyman about gender. It was to be about the idea of this faceless, brutal killer who only attacked women, in a horrific sexual manner. And whose primary objective was to stop 'whores' — his weird, moralistic take to it. (...) The Ripper is *like* a Candyman."[5]
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The Midnight Meat Train-inspired follow-up went unproduced because the studio found its screenplay too risky.[5] The only scene from Rose's draft of the movie left in the actual sequel — Candyman: Farewell to the Flesh — is the one featuring Professor Phillip Purcell (Michael Culkin), the surviving character from the first film.[5][6] Actress Tuesday Knight was reported to have declined a role in Farewell to the Flesh, and later claimed that it was the only horror film that she regrets turning down.[7] +

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Filming

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Filming took place on location in New Orleans, Louisiana and Los Angeles, California. Principal photography began on August 16, 1994, and filming wrapped on October 19 of the same year.[8] +

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Release

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Candyman: Farewell to the Flesh was originally slated for theatrical release by PolyGram Filmed Entertainment on February 17, 1995,[9] but it was pushed back one month, premiering in the United States on March 17, 1995.[1] +

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Home media

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MGM Home Entertainment released Candyman: Farewell to the Flesh on DVD on August 28, 2001.[10] Scream Factory released the film on Blu-ray on January 6, 2015, featuring an audio commentary with director Condon among other bonus materials.[11] +

A compilation of music from the film and from the original Candyman was released in 2001 as the inaugural release of Philip Glass's Orange Mountain Music record label, under the title The Music of Candyman.[12] +

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Reception

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Box office

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During its opening weekend, the film ranked number 2 and the U.S. box office, earning $6,046,825 in 1,605 theaters.[3] It earned an additional $2,776,215 the following weekend, followed by $1,390,817 the weekend of March 31, 1995.[3] The film concludes its theatrical run with a domestic gross of $13,940,383.[3] +

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Critical response

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As of January 2025, the film holds a 21% approval rating on internet review aggregator Rotten Tomatoes based on 33 reviews with an average score of 4.3/10. The critics consensus reads, "Doubling down on gore while largely abandoning the subtext and wit that made the original worthwhile, Candyman: Farewell to the Flesh disappoints."[13] +

Leonard Klady of Variety called it "a case of diminishing artistic returns but not, thankfully, a victim of the terrible twos".[14] Caryn James of The New York Times called it a "sluggish, predictable, low-rent sequel".[15] Kevin Thomas wrote that the film "overflows with blood and guts, drowning a potent metaphor for African American rage and oppression".[16] Owen Gleiberman of Entertainment Weekly rated it D and wrote, "This cloddish sequel undermines its revenge-of-the-repressed premise with racist scare tactics".[17] The Chicago Tribune's Michael Wilmington compared the film negatively against its predecessor, adding that "Director Bill Condon can barely keep his camera still; perhaps he's trying to escape. The script is the usual farrago about an invincible monster slaughtering everyone while pursuing the heroine with what seems unusual patience and discretion."[18] +

Roger Ebert of the Chicago Sun-Times gave the film two out of five stars, and felt that it failed to further develop the mythology of the Candyman character in a concise manner, concluding: "I am left with questions. Why did the Candyman visit Chicago? Why did he prey on innocent young black victims who had done him no harm? Which is he, a mythical force brought to reality by psychic mind power, or an immortal being fueled by the life force of the bees, who lives in mirrors? I spend my days pondering questions such as these, so you won’t have to."[19] +

The Austin Chronicle's Marc Savlov noted that the film "elicits considerable chills", and Tony Todd is "effective as the phantasmic Candyman". He also praised Philip Glass's "wonderfully resonant score", and called Farewell to the Flesh a "sequel that actually outperforms the original".[20] Writing for The Washington Post, Richard Harrington hailed the film a "compulsive chiller", and praised Todd's acting abilities.[21] +

In a retrospective assessment for the magazine Little White Lies, Sam Thompson praised the film as an underrated sequel, noting that it "elicits a similar state of woozy imbalance as the original because both possess the same strange, irreducible qualities: a dream logic of mirror portals and bee-infested torsos, history wrenching itself into the present, generic oscillations between ghost story and slasher, and an insistence on asking difficult questions about American racism."[22] +

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References

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  1. ^ a b c d "Candyman: Farewell to the Flesh (1995)". AFI Catalog of Feature Films. American Film Institute. Retrieved January 19, 2018. +
  2. +
  3. ^ "Candyman Farewell to the Flesh (1995)". British Film Institute. Archived from the original on May 5, 2019. Retrieved January 19, 2018. +
  4. +
  5. ^ a b c d "Candyman: Farewell to the Flesh". Box Office Mojo. Retrieved January 5, 2025. +
  6. +
  7. ^ Caprilozzi, Christine (December 14, 2012). "Twenty Year Retrospective of Candyman with Virginia Madsen". Horror News Network. Archived from the original on January 5, 2025. +
  8. +
  9. ^ a b c d Jenkins, Jason (March 3, 2020). "'Candyman' Director Bernard Rose Details His Unmade Sequel in More Depth Than Ever Before (Exclusive)". Bloody Disgusting. Archived from the original on January 5, 2025. +
  10. +
  11. ^ Holtz, Mike (January 3, 2025). "Candyman: Farewell to the Flesh (1995) – What Happened to This Horror Movie?". JoBlo.com. Archived from the original on January 5, 2025. +
  12. +
  13. ^ Collum 2004, p. 100. +
  14. +
  15. ^ "Candyman: Farewell to the Flesh (1995) – Reviews and overview". Movies and Mania. March 23, 2019. Archived from the original on August 13, 2021. Retrieved August 13, 2021. +
  16. +
  17. ^ Vancheri, Barbara (January 13, 1995). "OK Hollywood, whadda ya got?". Pittsburgh Post-Gazette. p. 17 – via Newspapers.com. +
  18. +
  19. ^ "Candyman - Farewell to the Flesh". Amazon. August 28, 2001. Archived from the original on April 22, 2020. +
  20. +
  21. ^ Jane, Ian (December 22, 2014). "Candyman: Farewell To The Flesh (Blu-ray)". DVD Talk. Archived from the original on April 22, 2020. +
  22. +
  23. ^ "Candyman, The Music of – Philip Glass". PhilipGlass.com. 2019. Retrieved October 24, 2023. +
  24. +
  25. ^ "Candyman: Farewell to the Flesh (1995)". Rotten Tomatoes. Retrieved January 5, 2025. +
  26. +
  27. ^ Klady, Leonard (March 16, 1995). "Review: 'Candyman: Farewell to the Flesh'". Variety. Retrieved June 16, 2015. +
  28. +
  29. ^ James, Caryn (March 18, 1995). "Candyman Farewell to the Flesh (1995)". The New York Times. Archived from the original on January 5, 2025. +
  30. +
  31. ^ Thomas, Kevin (March 20, 1995). "MOVIE REVIEW : This Time the 'Candyman' Turns Up in New Orleans". Los Angeles Times. Archived from the original on March 7, 2016. +
  32. +
  33. ^ Gleiberman, Owen (April 7, 1995). "Candyman: Farewell to the Flesh". Entertainment Weekly. Retrieved June 16, 2015. +
  34. +
  35. ^ Wilmington, Michael. "'Farewell to the Flesh' a sour viewing experience". Chicago Tribune. p. 284 – via Newspapers.com. +
  36. +
  37. ^ Ebert, Roger (March 17, 1995). "Candyman: Farewell to the Flesh". Chicago Sun-Times. Archived from the original on January 5, 2025 – via RogerEbert.com. +
  38. +
  39. ^ Savlov, Marc (March 24, 1995). "Candyman: Farewell to the Flesh". The Austin Chronicle. Archived from the original on January 13, 2006. Retrieved August 12, 2021. +
  40. +
  41. ^ Harrington, Richard (March 17, 1995). "'Candyman: Farewell to the Flesh'". The Washington Post. Archived from the original on September 25, 2020. +
  42. +
  43. ^ Thompson, Sam (March 15, 2020). "In defence of Candyman 2". Little White Lies. ISSN 2516-0559. Archived from the original on January 5, 2025. +
  44. +
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Sinners (2025 film)

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Sinners
Theatrical release poster
Directed byRyan Coogler
Written byRyan Coogler
Produced by
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Starring
CinematographyAutumn Durald Arkapaw
Edited byMichael P. Shawver
Music byLudwig Göransson
Production
company
Distributed byWarner Bros. Pictures
Release dates
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  • April 3, 2025 (2025-04-03) (AMC Lincoln Square)
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  • April 18, 2025 (2025-04-18) (United States)
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Running time
137 minutes[1]
CountryUnited States
LanguageEnglish
Budget$90–100 million[2][3][4]
Box office$365.9 million[5][6]
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Sinners is a 2025 American horror film[a] produced, written, and directed by Ryan Coogler.[10] Set in 1932 in the Mississippi Delta, the film stars Michael B. Jordan in dual roles as criminal twin brothers who return to their hometown where they are confronted by a supernatural evil. It co-stars Hailee Steinfeld, Miles Caton (in his film debut), Jack O'Connell, Wunmi Mosaku, Jayme Lawson, Omar Miller, and Delroy Lindo. +

Coogler began developing the film through his production company Proximity Media, with Jordan cast in the lead role. The project was announced in January 2024, and after a bidding war, Warner Bros. Pictures acquired distribution rights the following month. Additional roles were cast in April. Principal photography took place from April to July 2024. Longtime Coogler collaborator Ludwig Göransson composed the film's score and served as an executive producer. +

Sinners premiered on April 3, 2025, at AMC Lincoln Square in New York City,[11] and was theatrically released in United States on April 18, 2025, by Warner Bros. Pictures.[12] The film received critical acclaim and grossed $365.9 million worldwide. +

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Plot

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In 1932, identical twins and World War I veterans Elijah "Smoke" and Elias "Stack" Moore return to Clarksdale, Mississippi, after seven years spent working for the Chicago Outfit. Using money stolen from gangsters, they purchase a sawmill from landowner Hogwood to start a juke joint for the local Black community. Their cousin Sammie, an aspiring guitarist, joins them despite his pastor father Jedidiah's warnings about the sins of blues music. +

The twins recruit pianist Delta Slim as a performer, local Chinese shopkeeper couple Grace and Bo Chow as suppliers, field worker Cornbread as a bouncer, and Smoke's estranged wife Annie as a cook. Annie believes her Hoodoo practices kept the twins safe, but Smoke doubts them for not preventing their infant daughter's death. Stack runs into his white-passing ex-girlfriend Mary, who resents him for abandoning her out of protection. Elsewhere, Irish-immigrant vampire Remmick shelters from Choctaw vampire hunters with a married Klansmen couple, whom he turns into vampires. +

On the joint's opening night, Sammie, Delta Slim, and Pearline – a singer with whom Sammie becomes enamored – perform on stage. Sammie's music is transcendent, unknowingly summoning spirits of both past and future to join the crowd. However, the performance also draws in Remmick and his vampires, who offer money and music in exchange for entry. A suspicious Smoke refuses. The twins realize that their patrons' reliance on company scrip makes it impossible for the joint to be profitable. Reasoning with Stack that outside income is necessary, Mary meets Remmick outside, where she is turned. Returning inside, she seduces and fatally bites Stack. Sammie and Smoke discover them; Smoke shoots Mary, but she is unaffected and escapes. Outside, Remmick turns Cornbread. +

Smoke closes the joint early; as the patrons and Bo leave, the vampires turn them. Stack revives as a vampire, but flees after Annie repels him with pickled garlic juice. Annie realizes their assailants are vampires and informs the survivors how to deter and defeat them and that killing Remmick will not revert the other vampires back to humans. Although Remmick and his vampires share a hive mind, their personalities remain intact. +

Still unable to enter the joint, Remmick attempts to negotiate by inviting the survivors to join him, claiming that vampirism offers immortality and freedom from persecution. He promises to leave in exchange for Sammie, whose musical skills he wants to use to summon the spirits of his lost community; He also reveals that Hogwood heads the local Klan and intends to attack the joint at dawn. They refuse, and Remmick threatens to attack the Chows' daughter Lisa at their home. +

Enraged by the threat, Grace invites the vampires in, where a fight ensues. Grace, Bo, Annie, and Delta Slim are killed as a result, while Mary escapes and Remmick turns Pearline. Smoke fights and defeats Stack and then assists Sammie in defeating the vampires, who are all incinerated by the light of the sunrise. Smoke sends Sammie home before he kills Hogwood and his men, but is fatally shot. He reunites with Annie and their daughter after dying. Meanwhile, Sammie ignores his father’s pleas to seek salvation and travels to Chicago. +

In 1992, an elderly Sammie, now a successful blues musician, is visited by an ageless Stack and Mary after performing at his blues club. Stack reveals that Smoke spared him at the joint on the condition that Sammie live in peace. After declining the couple's offer of immortality, Sammie performs for them. As they leave, Sammie admits that despite being haunted by that night, until the violence, it was the greatest day of his life. Stack wistfully agrees, as it was the last time he saw Smoke or the sun, and the only time they were all truly free. +

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Cast

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  • Michael B. Jordan as the Smokestack Twins: +
    • Elijah "Smoke" Moore
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    • Elias "Stack" Moore
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  • Hailee Steinfeld as Mary, Stack's ex-girlfriend
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  • Miles Caton as Samuel "Sammie" Moore, Smoke and Stack's 17-year-old cousin, a sharecropper and aspiring blues musician.[13] +
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  • Jack O'Connell as Remmick, an Irish vampire
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  • Wunmi Mosaku as Annie, Smoke's estranged wife and a Hoodoo practitioner
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  • Jayme Lawson as Pearline, a married singer with whom Sammie becomes smitten
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  • Omar Miller as Cornbread, a sharecropper and bouncer
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  • Delroy Lindo as Delta Slim, an old town harmonica player and musical legend
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  • Peter Dreimanis as Bert, a local KKK member and Joan's husband
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  • Lola Kirke as Joan, a KKK member and Bert's wife
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  • Li Jun Li as Grace Chow, Bo's wife and a shopkeeper
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  • Saul Williams as Jedidiah Moore, a pastor, Sammie's father, and the twins’ uncle
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  • Yao as Bo Chow, Grace's husband and a shopkeeper
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  • David Maldonado as Hogwood, the local KKK leader and Bert's uncle
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  • Helena Hu as Lisa Chow, Bo and Grace's daughter
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  • Andrene Ward-Hammond as Ruthie, Sammie's mother
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  • Nathaniel Arcand as Chayton, a Choctaw vampire hunter
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  • Emonie Ellison as Therise, Cornbread's pregnant wife
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Production

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Sinners is the fifth collaboration between writer–director Ryan Coogler (pictured in 2016), actor Michael B. Jordan (2019), and composer Ludwig Göransson (2018).
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In January 2024, an untitled period film (rumored to take place in the Jim Crow-era South and involve the undead) from writer, director and producer Ryan Coogler was reported to be in development through his production company Proximity Media, with longtime collaborator Michael B. Jordan cast in the lead role.[15][16] Sony Pictures, Warner Bros. Pictures, and Universal Pictures were in a bidding war to acquire the distribution rights to the film, which carried a budget of around $90 million.[17] According to The Hollywood Reporter, Warner Bros. greenlit the film with a production budget of $80 million, but the final budget climbed to $100 million.[4] In exchange for the distribution rights to the film, Coogler was asking studios for first-dollar gross, final cut privilege, and ownership of the film twenty-five years after its release.[18] The following month, Warner Bros. won the distribution rights to the film by acceding to Coogler's terms.[16] Coogler cited the films of Quentin Tarantino, Jordan Peele, Christopher Nolan (who is given an on-screen special thanks credit), Francis Ford Coppola, Brian De Palma, Spike Lee and the Metallica song "One" as sources of inspiration.[19][20] +

In April 2024, Jack O'Connell was cast as the film's villain.[21] Delroy Lindo, Jayme Lawson, Omar Benson Miller, Hailee Steinfeld, Li Jun Li, and Lola Kirke were cast in undisclosed roles.[22] Wunmi Mosaku was cast as Smoke's love interest.[23] Yao, Miles Caton, Peter Dreimanis, and Christian Robinson were added the next month.[24][25] Halsey auditioned for the role that went to Steinfeld.[26] Machine Gun Kelly was offered the opportunity to audition for the role that went to Peter Dreimanis but he declined because he was not comfortable saying the n-word.[27] +

Principal photography began in New Orleans on April 14, 2024, under the working title Grilled Cheese, and wrapped on July 17.[28][29][30] It was shot by cinematographer Autumn Durald Arkapaw on 65 mm film using a combination of IMAX 15-perf and Ultra Panavision 70 cameras[31] and scenes thus alternate between the 1.43:1 and 2.76:1 aspect ratios.[32][33][34] Kodak created an IMAX version of their Ektachrome 100D 5294 film stock specifically for the production, where it was used for a flashback sequence.[35] The production spent $67.6 million on-location in Louisiana.[36] The film's allocated budget was reported to have ultimately risen to around $100 million.[37][4] The film's production designer Hannah Beachler has acknowledged that the way the church in the film was designed included crossed beams that made the "Wakanda Forever" gesture and paid homage to the late Black Panther star Chadwick Boseman.[38][39] Industrial Light & Magic (ILM), Storm Studios, Rising Sun Pictures, Base FX, Baraboom Studios, Light VFX and Outpost VFX provided the film's visual effects.[40][41] Some of the film's costumes were originally designed by Ruth E. Carter for the planned Marvel Cinematic Universe (MCU) film Blade, but when production on it stalled Carter was approached by Coogler to work on the film. Given both films' shared time period and similar settings within the Prohibition era, Carter was able to reuse her research for Sinners and was allowed by Marvel Studios to buy costumes she made originally for Blade to be used on Sinners.[42] +

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Music

+ +

Coogler's frequent collaborator Ludwig Göransson worked on the soundtrack of Sinners.[43] Göransson described Sinners as a personal and ambitious score, reflecting his own musical journey.[44] He drew inspiration from blues music and performed the score on a 1932 Dobro Cyclops resonator guitar, the same one Sammie carries throughout the film.[43][45] During the pre-production, Coogler sent Göransson several recordings from the 1930s and 1940s, particularly those of Robert Johnson and Tommy Johnson.[46] Göransson and Coogler insisted that Ludwig's wife Serena produce the songs. Serena Göransson, a classically trained violinist, said the southern Black music had to be handled with care and expert consultation and that she felt "like a steward with this project [...] especially with the music. I just feel that it has a life of its own..."[43] +

The couple worked with Lawrence "Boo" Mitchell, a blues producer who owns Royal Studios, and visited the B.B. King Museum and local juke joints in Clarksdale and Indianola with him for inspiration. The Göranssons and Mitchell recorded the songs at Royal Studios over five days with musicians such as Alvin Youngblood Hart and Cedric Burnside.[46] Mitchell also brought in other blues musicians such as Brittany Howard, Raphael Saadiq, Bobby Rush, Christone "Kingfish" Ingram and Buddy Guy (who also appears in the film).[46][47] The Göranssons rented a studio converted from a church in New Orleans, and worked with the supporting cast of Jack O'Connell, Lola Kirke, Peter Dreimanis and Jayme Lawson, rehearsing their songs multiple times. Much of the film was recorded live on set, with the cast members performing alongside other blues musicians.[43] Hailee Steinfeld wrote and recorded the original song "Dangerous" for the film.[48] +

Unlike most Warner Bros. films, which have soundtracks released through the company's in-house label WaterTower Music or record labels owned by Warner Music Group, the soundtrack and score to Sinners were released through Sony Music labels.[45] The soundtrack was released on Sony Masterworks on April 18, 2025, the same day as the film,[49] featuring 22 tracks performed by an array of blues musicians, alongside the cast members.[50][51] The lead single "Sinners," performed by Rod Wave, was released two weeks prior.[45][52] +

+

Release

+

Theatrical

+

Sinners was released in the United States and Canada on April 18, 2025. It was previously scheduled for release on March 7, 2025, but was delayed to April (swapping dates with Mickey 17) to allow for more time needed in post-production due to the scarcity of film stock labs for the project, which heavily utilized film cameras.[53][54][55] In addition to a standard digital release, the film also received 10 IMAX 70 mm prints,[56][57] and 5 standard 70 mm prints.[58][59] +

In late May, the film was screened in Clarksdale, Mississippi, where it is set. Clarksdale does not have a working movie theater, but the civic auditorium hosted six showings, introduced by Coogler, Göransson, and other filmmakers. The town also hosted panels and Q&As related to the film over the three-day weekend festival.[60][61] +

AMC Theaters nationwide scheduled screenings of the film on Juneteenth at discounted prices.[62] +

+

Home media

+

Sinners was released on digital streaming on June 3, 2025,[63] and on 4K Ultra HD Blu-ray, Blu-ray, and DVD on July 8, 2025.[64] It premiered on HBO Max on July 4, 2025.[65] Warner Bros. announced that Sinners would also be available to stream on HBO Max with interpretation in Black American Sign Language (BASL); the company stated that it was the first film to ever be offered by a streaming service with BASL.[66] +

+

Reception

+

Box office

+

As of July 22, 2025, Sinners has grossed $278.6 million in the United States and Canada, and $87.3 million in other territories, for a worldwide total of $365.9 million.[5][6] Some publications said the film needed to gross $170–185 million to break-even when factoring in its production budget, Coogler's first-dollar gross, premium video-on-demand, and streaming deals with Prime and Netflix.[67][68] Other industry sources placed the break-even point at $200–225 million, with Puck going as high as $300 million, because of the film's budget, estimated $50–60 million marketing spend, and the presumption that theaters keep half of ticket sales.[69][70] Many fans of the film and industry figures like Ben Stiller called out media coverage, specifically pieces from Variety, The New York Times, and Business Insider, that seemed to downplay the film's success by focusing on its box office performance, Coogler's salary, and speculation about its profitability.[71][72][73][74] +

In the United States and Canada, Sinners was projected to gross $30–40 million from 3,308 theaters in its opening weekend.[68][75] The film made $19.2 million on its first day, including an estimated $4.7 million from Thursday night previews. It went on to debut to $48 million, topping projections to finish first at the box office, upsetting Warner Bros.' own holdover A Minecraft Movie, which grossed $40.5 million in its third weekend.[67] The opening marked the best start for an original film since Jordan Peele's Us ($71 million in 2019), and the first time a studio had two films make more than $40 million each over a single weekend since 2009. Walk-up business, particularly on Saturday, and word-of-mouth contributed substantially to the opening, with 61% of attendees buying their ticket the same day.[67][76] Premium large format and IMAX screenings made up 45% of the opening.[77] Exit polling indicated that 47% of moviegoers bought tickets because of Jordan, 40% for Coogler, and 45% because of positive word-of-mouth, and that 64% of attendees were 35 or younger, with 46% being 25–34 and 2% under 18. The audience was 49% Black, 27% Caucasian, 14% Latino and Hispanic, 6% Asian, and 4% Native American/other, "a strong turnout among different demographics".[67][70][76][78] Sinners also made $15.4 million from 71 international markets, for a global opening weekend of $61 million.[79] +

Word-of-mouth momentum helped Sinners earn the second-best Monday haul for an R-rated horror film at $7.8 million, behind It ($8.6 million in 2017).[80] It ended its first week ahead of the seven-day totals of The Conjuring ($61.7 million in 2013) and Get Out ($49.8 million in 2017) with $77.5 million.[78] Sinners exceeded second weekend projections ($19.2–24 million)[81] to outgross new releases and top the box office again with $45.7 million. Its 4.9% drop is the third-best second-weekend performance for a film that debuted to more than $40 million after Shrek (+0.3% in 2001) and Avatar (−1.8% in 2009);[82] the second-best second weekend for an R-rated horror film after It ($60.1 million); and the third-best second weekend for Coogler after Black Panther ($111.6 million in 2018) and its sequel Wakanda Forever ($66.4 million in 2022). Deadline noted that the film's audience had broadened, with women making up 56% of patrons (up from 43% in the first weekend) and those under 25 comprising 34% (up from 20%).[78] The film also made $13.5 million over that frame from 71 foreign markets, a total attributed to word-of-mouth and strong holds in several countries.[83] +

After ceding its premium-large format and IMAX screens to newcomer Thunderbolts*, Sinners achieved the best third weekend for a horror film with $33 million (a 28% drop), topping It ($29.7 million).[84] Helped by "exceptional holds" in Latin America and Europe, it also made $10.4 million internationally over the weekend.[85] Sinners crossed $200 million domestically in its fourth weekend,[86] becoming the first original film to do so since Coco in 2017.[87] +

+

Critical response

+

On the review aggregator website Rotten Tomatoes, 97% of 405 critics' reviews are positive. The website's consensus reads: "A rip-roaring fusion of masterful visual storytelling and toe-tapping music, writer-director Ryan Coogler's first original blockbuster reveals the full scope of his singular imagination."[88] Metacritic, which uses a weighted average, assigned the film a score of 84 out of 100, based on 55 critics, indicating "universal acclaim".[89] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale (the highest grade for a horror film in 35 years), while those surveyed by PostTrak gave it a 92% overall positive score, with 84% saying they would definitely recommend the film.[67] +

Reviewers praised Coogler's vision and the film's cinematography; Rolling Stone critic A.A. Dowd commented that the director was "swinging wide and far beyond the boundaries of franchise fare", while Wendy Ide of The Observer wrote that "Coogler's assurance and vision holds everything together."[90][91][92] Ann Hornaday of the Washington Post cited Coogler's "impressive self-awareness", as well as Jordan, Mosaku, and Caton's performances.[93] A number of critics suggested that the film's more grounded first half was superior to the supernaturally driven later acts.[94][95][96] Peter Travers of ABC News declared Sinners the best movie yet released in 2025, writing that it was Coogler and Jordan's "best and most daring work yet".[97] In a more negative review, The Wall Street Journal's Zachary Barnes praised Jordan's performance, but wrote that Sinners did not pull together thematically, arguing that "Mr. Coogler's imagination remains limited by the conventions of Marveldom."[98] +Sho Baraka of Christianity Today notes, "Just be aware that ... the bawdy themes will tutor you in practices that would make your marriage counselor blush. ... Sinners does speak frankly about the bloodsucking perversion of religion in the United States. But the same plantation folks who suffered hypocrisy knew of a healer who gave joy [that] spawned spirituals, which gave birth to blues."[99] Several critics drew comparisons between the film and Robert Rodriguez's 1996 action-horror film From Dusk till Dawn.[100][101][102] Coogler cited From Dusk Till Dawn as an inspiration for the film, but compared it more to The Faculty, another film by Rodriguez.[103] +

The music of Sinners was widely praised by critics, who noted its centrality to the film's story. David Ehrlich of IndieWire wrote "This isn't the first time that a Ludwig Göransson score has been inextricable from the texture of a Ryan Coogler movie, but Sinners opens with someone talking about a kind of music 'so pure it can pierce the veil between life and death, past and future'...and then proceeds to show us exactly what that sounds like."[104] Mae Abdulbaki of Screen Rant stated "The music alone, from the songs played by the characters to the score by Ludwig Göransson, takes the film to another level."[105] Amy Nicholson of Los Angeles Times described the score as "phenomenal", adding it is music "you've never heard and yet it seems to come from deep inside our pop-cultural soul."[7] David Rooney of The Hollywood Reporter described it as "flavorful [...] with the score and the blues performances fusing together to intoxicating effect."[106] Barnes, of The Wall Street Journal, called Göransson's score "a twangy marvel of genre-crossing interpolation".[98] +

In June 2025, IndieWire ranked the film at number 65 on its list of "The 100 Best Movies of the 2020s (So Far)."[107] In July 2025, The Hollywood Reporter ranked it number 16 on its list of the "25 Best Horror Movies of the 21st Century."[108] +

+

Accolades

+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
Accolades received by Sinners +
Award +Date of ceremony +Category +Recipient(s) +Result +Ref. +
Astra Midseason Movie Awards +July 3, 2025 +Best Picture +Sinners +Won +[109][110] +
Best Director +Ryan Coogler +Won +
Best Actor +Michael B. Jordan +Won +
Best Supporting Actor +Miles Caton +Won +
Best Supporting Actress +Wunmi Mosaku +Runner-up +
Hailee Steinfeld +Won +
Best Screenplay +Sinners +Won +
Critics' Choice Super Awards +August 7, 2025 +Best Horror Movie +Sinners +Won +[111] +
Best Actor in a Horror Movie +Michael B. Jordan +Won +
Best Actress in a Horror Movie +Wunmi Mosaku +Nominated +
Best Villain in a Movie +Jack O'Connell +Nominated +
Fangoria Chainsaw Awards +October 2025 +Best Wide Release +Sinners +Pending +[112][113] +
Best Director +Ryan Coogler +Pending +
Best Lead Performance +Michael B. Jordan +Pending +
Best Supporting Performance +Miles Caton +Pending +
Wunmi Mosaku +Pending +
Jack O'Connell +Pending +
Best Screenplay +Ryan Coogler +Pending +
Best Cinematography +Autumn Durald Arkapaw +Pending +
Best Score +Ludwig Göransson +Pending +
Best Costume Design +Ruth E. Carter +Pending +
Golden Trailer Awards +May 29, 2025 +Best Horror +Warner Bros. Pictures, AV Squad (for "Magic") +Won +[114]
[115] +
Best Music +Nominated +
Best Sound Editing +Warner Bros. Pictures, AV Squad (for "Seen") +Won +
Best Thriller TV Spot +Warner Bros. Pictures, Create Advertising Group (for "Ready") +Won +
Best Digital | Horror/Thriller +Warner Bros. Pictures, AV Squad (for "Happy New Year") +Nominated +
Best Horror/Thriller TrailerByte (Feature Film) +Warner Bros. Pictures, AV Squad (for "Dark Mode") +Nominated +
Best Horror Poster +Warner Bros. Pictures, AV Print +Nominated +
Best International Poster +Nominated +
Most Original Poster +Won +
+

Notes

+
+
    +
  1. ^ Described as a genre-defying film, Sinners incorporates a hybrid of Southern Gothic, period supernatural horror, and musical elements.[7][8][9] +
  2. +
+

References

+
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The Lorax (film)

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The Lorax
An orange poster with the Lorax's face in the center.
Theatrical release poster
Directed byChris Renaud
Screenplay byCinco Paul
Ken Daurio
Based onThe Lorax
by Dr. Seuss
Produced by
Starring
Edited by
+ +
Music byJohn Powell[1]
Production
companies
Distributed byUniversal Pictures
Release dates
+ +
Running time
86 minutes[3]
CountryUnited States
LanguageEnglish
Budget$70 million[4]
Box office$351.4 million[4][5]
+

The Lorax (also known as Dr. Seuss' The Lorax) is a 2012 American animated musical fantasy comedy film produced by Universal Pictures and Illumination Entertainment, and distributed by Universal. The film is the second screen adaptation of Dr. Seuss' 1971 children's book The Lorax following the 1972 animated television special. Directed by Chris Renaud, co-directed by Kyle Balda, produced by Chris Meledandri and Janet Healy and written by the writing team of Cinco Paul and Ken Daurio (who also served as executive producers alongside Dr. Seuss' widow Audrey Geisel), it stars the voices of Danny DeVito, Ed Helms, Zac Efron, Taylor Swift, Rob Riggle, Jenny Slate and Betty White. +

The film builds on the book by expanding the story of the Lorax and Ted, the previously unnamed boy who visits the Once-ler, and provides an extended ending. The idea for the film was initiated by Geisel, who had an established partnership with Meledandri from a collaboration on Horton Hears a Who! (2008). Geisel approached Meledandri with the idea when he launched Illumination. The film was officially announced in 2009 with the creative team attached, and by 2010, DeVito was cast as the titular character. John Powell composed the score, and also wrote the film's songs alongside Paul. The animation was produced in France by the studio Illumination Mac Guff (the animation department of Mac Guff that was acquired by Illumination in 2011). +

The Lorax globally premiered at Universal Studios in Hollywood on February 19, 2012, and was theatrically released in the United States on March 2, in IMAX, 3D (known in the film exclusively as "Tree-D") and 2D. The film received mixed reviews from critics who praised the animation, music and voice acting but criticized the characters and story, while the marketing received backlash for its perceived contradictions to the book's original message. Despite these criticisms, The Lorax was a commercial success, grossing $351 million worldwide against a budget of $70 million.[4] +

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Plot

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Twelve-year-old Ted Wiggins lives in Thneedville, a walled city where all vegetation is artificial. Ted's love interest, Audrey, longs to see a real tree, and Ted undertakes to find her one. His grandmother, Norma, tells him about a reclusive man known as the "Once-ler", who is said to know what happened to the trees. Ted leaves Thneedville and discovers that the land outside of his home town is a barren, contaminated wasteland. He finds the Once-ler, who agrees to tell Ted the story of the trees over multiple visits. The next time he tries to leave town, Ted encounters Thneedville's greedy mayor, Aloysius O'Hare, whose company sells the bottled air that is the town’s only source of fresh oxygen. Explaining that trees and the oxygen they produce pose a threat to his business, O'Hare tries to intimidate Ted into staying in town, but Ted continues to visit the Once-ler. +

The Once-ler recounts how, as a young inventor, he arrived in a lush forest of Truffula trees. After chopping down a Truffula to create a knitted garment known as a Thneed, he was confronted by the Lorax, the self-proclaimed "guardian of the forest". The Lorax made him promise not to cut down any more trees. The Once-ler harvested the Truffula tufts in a sustainable manner until his unscrupulous relatives arrived to help him with his business and convinced him to resume cutting down trees, which led to large profits, but also deforestation and pollution. After the last tree was cut down, the Once-ler's business plummetted, his family abandoned him, all the animals left, and the Lorax vanished into the sky, leaving behind a stone platform etched with the word "Unless". +

The Once-ler gives Ted the last Truffula seed and urges him to plant it. Ted returns home, but is spotted by O'Hare's city-wide surveillance system. Enlisting the help of Audrey and his family, Ted takes the seed to the center of town. O'Hare rallies the citizens against Ted, saying trees are dangerous and filthy. Ted uses a bulldozer to knock down a section of the city wall, revealing the environmental desolation outside. Inspired by Ted's conviction, the crowd turns on O'Hare as his bodyguards Morty and McGuirk launch him away on jet helmet. The seed is finally planted. +

As time passes, the land begins to recover and the Lorax reunites with the Once-ler. +

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Voice cast

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  • Danny DeVito as the Lorax, a mystical orange furry humanoid creature with a yellow moustache, who is both the guardian of the truffula forest and acts as a voice of reason.[6] DeVito additionally provided the voice of the Lorax in the Italian, Latin and Castilian Spanish, German, and Russian dubs of the film.[7][8]
  • +
  • Ed Helms as the Once-ler, a reclusive old man and former inventor[6]
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  • Zac Efron as Ted Wiggins, an idealistic 12-year-old boy.[9][10] He is named after the author of the book, Dr. Seuss (Theodor Geisel).[11]
  • +
  • Taylor Swift as Audrey, Ted's love interest.[1] She is named after Audrey Geisel, Dr. Seuss' wife.[11]
  • +
  • Rob Riggle as Aloysius O'Hare, the diminutive and greedy mayor of Thneedville and head of the O'Hare Air company that supplies fresh air to Thneedville residents[6]
  • +
  • Jenny Slate as Mrs. Wiggins, Ted's neurotic mother and Grammy Norma's daughter[12]
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  • Betty White as Grammy Norma Wiggins, Ted's wise-cracking grandmother and Mrs. Wiggins's mother[1]
  • +
  • Nasim Pedrad as Isabella, the Once-ler's mother
  • +
  • Stephen Tobolowsky as Uncle Ubb, the Once-ler's uncle
  • +
  • Elmarie Wendel as Aunt Grizelda, the Once-ler's aunt. This was Wendel's final film role before her death on July 21, 2018.
  • +
  • Danny Cooksey as Brett and Chet, the Once-ler's dim-witted twin brothers
  • +
  • Joel Swetow as the 1st Marketing Guy
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  • Michael Beattie as the 2nd Marketing Guy
  • +
  • Dave B. Mitchell as the 1st Commercial Guy
  • +
  • Dempsey Pappion as the 2nd Commercial Guy
  • +
  • Chris Renaud as assorted forest animals
+

Production

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The Lorax is the fourth feature film based on a book by Dr. Seuss, the second fully computer-animated adaptation (the first one being Horton Hears a Who! in 2008), and the first to be released in 3D. The Lorax was also Illumination Entertainment's first film presented in IMAX 3D (known as "IMAX Tree-D" in publicity for the film).[13] The idea for the film was initiated by Audrey Geisel, Dr. Seuss's widow, who had an established partnership with producer Chris Meledandri from a collaboration on Horton Hears a Who!. Geisel approached Meledandri when he launched Illumination, saying "This is the one I want to do next".[14] The film was officially announced in July 2009, with Meledandri attached as the producer and Geisel as the executive producer. Chris Renaud and Kyle Balda were announced as the director and co-director of the film, while Cinco Paul and Ken Daurio, the duo who wrote the script for Horton Hears a Who! and Illumination's previous films, were set to write the screenplay.[15] In 2010, Danny DeVito was cast as the voice of the Lorax.[16] +

The film was fully produced at the French studio Illumination Mac Guff, which was the animation department of Mac Guff, acquired by Illumination Entertainment in the summer of 2011.[17] DeVito reprised his role in five different languages, including the original English audio, and also for the Russian, German, Italian, Catalan/Valencian, Castillan Spanish and Latin Spanish dub editions, learning his lines phonetically.[18] Universal added an environmental message to the film's website after a fourth-grade class in Brookline, Massachusetts, launched a successful petition through Change.org.[19] +

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Release

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The film was released on March 2, 2012, in the United States and Canada, and later on July 27, in the United Kingdom. It was also the first film to feature the current Universal Pictures logo, with a rearranged version of the fanfare, originally composed by Jerry Goldsmith and composed and arranged by Brian Tyler, as part of the studio's 100th anniversary.[20] +

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Marketing controversy

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Despite the original Lorax being made as a critique of capitalism and pollution,[21][22][23] Mazda used the likeness of The Lorax's setting and characters in an advertisement for their CX-5 SUV.[24] This was seen by some as the complete opposite of the work's original message.[25] In response, Stephanie Sperber, president of Universal partnerships and licensing, said Universal chose to partner with the Mazda CX-5 because it is "a really good choice for consumers to make who may not have the luxury or the money to buy electric or buy hybrid. It's a way to take the better environmental choice to everyone."[26] +

The film has also been used to sell Seventh Generation disposable diapers.[27] In total, Illumination Entertainment struck more than 70 different product integration deals for the film,[28] including IHOP, Whole Foods and the United States Environmental Protection Agency.[29] +

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Home media

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The film was released on DVD, Blu-ray 3D and Blu-ray on August 7, 2012. Three mini-movies were released on the Blu-Ray/DVD Combo Pack: Serenade, Wagon Ho! and Forces of Nature;[30] In Serenade, Lou wants to impress a female Barbaloot, but he has some competition. In Wagon Ho!, two Barbaloots Pipsqueak and Lou take the Once-ler's wagon without asking his permission for a joyride. And in Forces of Nature, the Lorax makes Pipsqueak an "Honorary Lorax" and they team up to try to scare the Once-ler. +

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Video game

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Blockdot created a mobile puzzle game based on the film, titled Truffula Shuffula. The game was released on February 1, 2012, for iOS and Android platforms.[31] +

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Reception

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Critical response

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On review aggregator Rotten Tomatoes, The Lorax holds an approval rating of 53% based on 155 reviews, with an average rating of 5.9/10. The site's critical consensus reads, "Dr. Seuss' The Lorax is cute and funny enough but the moral simplicity of the book gets lost with the zany Hollywood production values."[32] On Metacritic, the film achieved a score of 46 out of 100 based on reviews from 30 critics, indicating "mixed or average reviews".[33] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[34] +

New York magazine film critic David Edelstein on NPR's All Things Considered strongly objected to the film, arguing that the Hollywood animation and writing formulas washed out the spirit of the book.[35] He wrote that this kind of animated feature was wrong for the source material. Demonstrating how the book's text was used in the film in this excerpt from the review, Edelstein discusses Audrey describing the truffula trees to Ted: +

+

The touch of their tufts was much softer than silk and they had the sweet smell of fresh butterfly milk – and [in the movie] Ted says, "Wow, what does that even mean?" and Audrey says, "I know, right?" So one of the only lines that is from the book, that does have Dr. Seuss' sublime whimsy, is basically made fun of, or at least, dragged down to Earth.

+

The film also garnered some positive reviews from critics such as Richard Roeper, who called it a "solid piece of family entertainment".[36] Roger Moore of the Pittsburgh Tribune called the film "a feast of bright, Seuss colors, and wonderful Seuss design", and supported its environmentalist message.[37] +

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Box office

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The film grossed $214.5 million in North America, and $136.9 million in other countries, for a worldwide total of $351.4 million.[4][5] +

The film topped the North American box office with $17.5 million on its opening day (Friday, March 2, 2012).[38] During the weekend, it grossed $70.2 million, easily beating the other new nationwide release, Project X ($21 million), and all other films.[39] This was the biggest opening for an Illumination Entertainment film,[40] and for a feature film adaptation of a book by Dr. Seuss,[41] as well as the second-largest for an environmentalist film.[42] It also scored the third-best debut for a film opening in March,[43] and the eighth-best of all time for an animated film.[44] The Lorax stayed at No. 1 the following weekend, dropping 45% to $38.8 million and beating all new nationwide releases, including Disney's John Carter (second place).[45] +

On April 11, 2012, it became the first animated film in nearly a year to gross more than $200 million in North America, since Walt Disney Animation Studios' Tangled.[46][47] +

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Online popularity

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The film has garnered popularity online as the basis for Internet memes, with scenes such as the Lorax's departure gaining popularity on TikTok.[48] In particular, the film's version of the Once-ler developed a notable fandom on Tumblr, with many users creating fan art, fan fiction, cosplay, and even alternative versions of the character to ship with each other.[49] This fandom lead to the character being labeled as the first instance of a "Tumblr sexyman", a term for fictional characters with massive popularity as sex symbols on Tumblr.[50] +

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Music

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The soundtrack for the film was composed by John Powell, who had previously composed the score for Horton Hears a Who! (2008), and the songs were written by Cinco Paul.[51] There were two soundtrack albums released for the film, the first being Powell's film score and the other being the original songs written by Powell and Paul performed by various artists. Original songs written for the film include "Thneedville", "This is the Place", "Everybody Needs a Thneed", "How Bad Can I Be?", and "Let It Grow". +

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See also

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References

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  1. ^ a b c Goldberg, Matt (March 17, 2011). "Taylor Swift Joins Voice Cast of THE LORAX; New Image Released". Collider. Archived from the original on August 6, 2020. Retrieved August 21, 2011. +
  2. +
  3. ^ a b "Dr Suess' The Lorax". Filmaffinity. Retrieved July 24, 2024. +
  4. +
  5. ^ "DR. SEUSS' THE LORAX (U)". British Board of Film Classification. May 4, 2012. Archived from the original on May 8, 2014. Retrieved July 4, 2013. +
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  7. ^ a b c d "Dr. Seuss' The Lorax". Box Office Mojo. IMDb. Retrieved December 22, 2023. +
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  9. ^ a b "Dr. Seuss' The Lorax". The Numbers. Nash Information Services, LLC. Retrieved December 22, 2023. +
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  11. ^ a b c Breznican, Anthony (October 25, 2010). "First look: Danny DeVito will stump for trees in 3-D 'Lorax'". USA Today. Archived from the original on November 4, 2012. Retrieved October 26, 2010. +
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  13. ^ Breznican, Anthony (March 1, 2012). "Q&A: Danny DeVito speaks for 'The Lorax' -- EXCLUSIVE VIDEO". Entertainment Weekly. Retrieved May 7, 2024. +
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  15. ^ Tartaglione, Nancy (May 20, 2017). "Actor, Dub Thyself: Daniel Brühl & Danny DeVito On Joy In Voicing Themselves — Cannes". Deadline. Retrieved May 7, 2024. +
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  17. ^ "Dr. Seuss' The Lorax". Illumination Entertainment. Archived from the original on June 1, 2023. Retrieved June 1, 2023. +
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  19. ^ Sharlette (March 5, 2012). "CINEMA WITH SHARLETTE: 'THE LORAX'". ETonline.com. Archived from the original on October 16, 2013. Retrieved June 15, 2013. In the 3D-CG version of Dr. Seuss' The Lorax, we focus on Ted Wiggins, a 12-year-old boy in search of a living tree for the girl he adores. +
  20. +
  21. ^ a b Radish, Christina (January 30, 2012). "10 Things to Know About DR. SEUSS' THE LORAX From Our Editing Room Visit; Plus an Interview with Producer Chris Meledandri". Collider.com. Archived from the original on February 2, 2012. Retrieved January 30, 2012. +
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Zootopia 2

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Zootopia 2
Theatrical release poster
Directed byJared Bush
Byron Howard
Written byJared Bush
Produced byYvett Merino
Starring
Music byMichael Giacchino
Production
company
Distributed byWalt Disney Studios
Motion Pictures
[a]
Release date
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  • November 26, 2025 (2025-11-26)
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CountryUnited States
LanguageEnglish
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Zootopia 2 (titled Zootropolis 2 or Zoomania 2 in various regions)[b] is an upcoming American animated buddy cop comedy film produced by Walt Disney Animation Studios. The sequel to Zootopia (2016), it is being directed by Jared Bush and Byron Howard,[1] written by Bush, and produced by Yvett Merino.[2] Ginnifer Goodwin, Jason Bateman, Idris Elba, Jenny Slate, Nate Torrence, Bonnie Hunt, Don Lake, Tommy Chong, Alan Tudyk, and Shakira reprise their roles from the first film, joined by newcomers Ke Huy Quan, Fortune Feimster, Quinta Brunson, Jean Reno, Macaulay Culkin, Brenda Song, Patrick Warburton, and Wilmer Valderrama. The film follows Judy Hopps and Nick Wilde as they pursue Zootopia's new and mysterious reptilian resident Gary De'Snake. +

Zootopia 2 is scheduled to be released in the United States on November 26, 2025. +

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Premise

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Judy and Nick find themselves on the twisting trail of a mysterious reptile who arrives in Zootopia and turns the mammal metropolis upside down. To crack the case, Judy and Nick must go undercover to unexpected new parts of town.

— Walt Disney Animation Studios[‡ 1]

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Voice cast

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Additionally, Macaulay Culkin, Brenda Song, Patrick Warburton, and Wilmer Valderrama have been cast in undisclosed roles.[10] +

Other new characters who are introduced in the film include Wind Dancer (a stallion and former actor who succeeds Leodore Lionheart as the Mayor of Zootopia), the Linxleys (a wealthy family of lynxes), Chevron (another goat police officer), and Marlon Grizzby (a grizzly bear police officer).[11][12] +

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Production

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Development

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In June 2016, directors Byron Howard and Rich Moore were in talks about the possibility of a Zootopia sequel.[13][14] On February 8, 2023, during the Q1 earnings call, Disney CEO Bob Iger confirmed that the sequel was in active development.[15] Later that day, screenwriter Jared Bush confirmed that he was working on the film.[‡ 4] Ginnifer Goodwin, who voices Judy Hopps, told CinemaBlend that she would like to see a role reversal between Judy and Nick in the sequel. "I would like to see Nick have to be the one to convince Judy that the world is worth fighting for". Jason Bateman, who voices Nick Wilde, also told CinemaBlend about his idea for the sequel. "The two of us [Nick and Judy], kicking butts out there. Cleaning up the streets. We're a couple of new cops out there. So, bad guys, be warned," he said.[16] +

On February 7, 2024, Iger announced the film's release date and that the film would be officially titled Zootopia 2.[17] On April 15, Goodwin confirmed on her Instagram account that she began recording her lines for Judy, revealing that the film was in production.[3] At the D23 Expo on August 9, it was announced that Zootopia 2 would feature reptiles, and Ke Huy Quan was announced to be playing Gary, a snake being pursued by Nick and Judy.[5] Footage was also shown of a sequence in which Nick and Judy search for Gary in Marsh Market.[18] The following day, Bush revealed on his Twitter account that Fortune Feimster joined the cast to voice a beaver named Nibbles.[‡ 5] The same month, Bush was revealed to be the sole writer and director of the sequel, and Yvett Merino was revealed to be the producer.[2] On September 19, Jared Bush became the new chief creative officer of Walt Disney Animation Studios following Jennifer Lee's resignation to become director of Frozen 3. The following day, Bush confirmed that Byron Howard, the original creator and director of Zootopia, had returned to become co-director of Zootopia 2.[1] On November 8, at D23 Brazil, Shakira publicly announced that she was returning to voice Gazelle for the sequel, revealing that she was writing a new song for the film alongside Ed Sheeran, and that Gazelle would don a new outfit.[‡ 3][19] On April 3, at CinemaCon, new footage from the film was shown that revealed the casting of Quinta Brunson as a new character named Dr. Fuzzby.[6] At the 2025 Annecy International Animation Film Festival on June 13, it was announced that Jean Reno would join the cast, and that Maurice LaMarche would reprise his role as Mr. Big.[7] On June 16, Michael Giacchino was confirmed to be returning to compose the score.[20] In July 2025, it was announced that Ed Sheeran would co-work on Shakira's song.[21] On August 7, it was announced that Macaulay Culkin, Brenda Song, Patrick Warburton, and Wilmer Valderrama would join the cast.[22][23] On August 9, 2025, Jared Bush confirmed on social media that Zootopia 2 would have one of the largest voice casts of any film produced by Walt Disney Animation Studios.[24] +

The film's teaser poster was unveiled on May 19, 2025, with the teaser trailer releasing the following day on May 20.[25] The film's second teaser poster and first official trailer released on July 30, 2025. +

Voice recording for many major characters began to wrap by the end of June through August of that year.[26][27][28][29][30][31] +

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Release

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Zootopia 2 is scheduled to be released in the United States by Walt Disney Pictures on November 26, 2025.[17] +

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Notes

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  1. ^ Distributed by Walt Disney Studios Motion Pictures through the Walt Disney Pictures banner +
  2. +
  3. ^ Due to trademark issues, the film is titled Zootropolis 2 in various regions such as the UK, Ireland, Italy and Spain, and Zoomania 2 in Germany. See Zootopia § Alternative titles. +
  4. +
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References

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    +
  1. ^ a b Taylor, Drew (September 19, 2024). "Disney Animation Shake-Up: Jennifer Lee Out, Jared Bush in as Chief Creative Officer". TheWrap. Archived from the original on September 20, 2024. Retrieved September 20, 2024. +
  2. +
  3. ^ a b Exeider, Agent (August 14, 2024). "Jared Bush to be sole Director of Zootopia 2". Zootopia News Network. Retrieved August 17, 2024. +
  4. +
  5. ^ a b Bythrow, Nick (April 16, 2024). "Zootopia 2 Voice Recording Begins As Judy Hopps Actor Shares BTS Photo". Screen Rant. Retrieved April 25, 2024. +
  6. +
  7. ^ Ortiz, Andi (July 30, 2025). "'Zootopia 2' Trailer Sees Nick and Judy in Couples Therapy". The Wrap. Retrieved July 31, 2025. +
  8. +
  9. ^ a b Campione, Katie (August 9, 2024). "'Zootopia 2': Ke Huy Quan Joins Cast Of Upcoming Animated Sequel". Deadline Hollywood. Archived from the original on August 10, 2024. Retrieved August 10, 2024. +
  10. +
  11. ^ a b Lang, Brent (April 3, 2025). "'Zootopia 2' Hilarious CinemaCon Footage Shows Judy Hopps and Nick Wilde in Partners Therapy, Quinta Brunson Joins Voice Cast". Variety. Retrieved April 3, 2025. +
  12. +
  13. ^ a b c Roxborough, Scott (June 13, 2025). "Jared Bush Gives Sneak Peek at Disney's 'Zootopia 2' at Annecy". The Hollywood Reporter. Retrieved June 16, 2025. +
  14. +
  15. ^ a b c d e f g h i Benitez, Crystal (July 30, 2025). "Ginnifer Goodwin and Jason Bateman return in 'Zootopia 2' trailer, along with new characters!". ABC 7. Retrieved July 31, 2025. +
  16. +
  17. ^ https://x.com/thejaredbush/status/1954327294232994089 +
  18. +
  19. ^ Aldecoa, Kayla (August 7, 2025). "Macaulay Culkin Regrets Skipping This Role During Temporary Retirement". +
  20. +
  21. ^ Reif, Alex (July 13, 2025). "Welcome Back to Zootopia: Disney Animation Wows Annecy with Sequel Sneak Peek and Surprise Return of Ron Clements". Laughing Place. Retrieved July 13, 2025. +
  22. +
  23. ^ "Welcome Back to Zootopia, the Zootopia 2 Presentation at Annecy, in Exhaustive Detail". Zootopia News Network. June 20, 2025. +
  24. +
  25. ^ Snetiker, Marc (June 2, 2016). "Zootopia directors talk sequel, TV potential". Entertainment Weekly. Archived from the original on January 15, 2018. Retrieved January 7, 2018. +
  26. +
  27. ^ Sciretta, Peter (June 6, 2016). "'Zootopia' Is Now The Second Biggest Original Movie Of All Time; Directors Talk Sequel Possibilities". /Film. Archived from the original on May 11, 2018. Retrieved March 30, 2018. +
  28. +
  29. ^ D'Alessandro, Anthony (February 8, 2023). "Frozen, Toy Story & Zootopia Sequels In The Works". Deadline Hollywood. Archived from the original on February 8, 2023. Retrieved February 11, 2023. +
  30. +
  31. ^ O'Connell, Sean (March 7, 2016). "What Zootopia 2 Should Be About, According To The Cast". CinemaBlend. Archived from the original on February 11, 2023. Retrieved May 26, 2023. +
  32. +
  33. ^ a b Peralta, Diego (February 7, 2024). "Zootopia 2 Sets Fall 2025 Release Date". Collider. Archived from the original on February 7, 2024. Retrieved February 7, 2024. +
  34. +
  35. ^ Smith, Jeremy; Meenan, Devin (August 9, 2024). "Zootopia 2 Footage Reaction: Disney Heads To The Marsh With Ke Huy Quan As Gary The Snake (D23)". Slashfilm. Archived from the original on August 10, 2024. Retrieved August 10, 2024. +
  36. +
  37. ^ "Instagram". www.instagram.com. Retrieved August 14, 2025. +
  38. +
  39. ^ @HollywoodHandle (June 16, 2025). "Michael Giacchino will return as the composer for 'ZOOTOPIA 2.'" (Tweet). Retrieved June 17, 2025 – via Twitter. +
  40. +
  41. ^ @Shakira (July 30, 2025). "I'm so ready for Zootopia 2!! And guess what? Gazelle is back! So grateful to have worked with @edsheeran on the creation of this exciting new original song! Can't wait for the premiere!" (Tweet) – via Twitter. +
  42. +
  43. ^ Aldecoa, Kayla (August 7, 2025). "Macaulay Culkin Regrets Skipping This Role During Temporary Retirement". +
  44. +
  45. ^ @Shakira (August 7, 2025). "With some of the cast of Zootopia 2 and other @DisneyAnimation friends!" (Tweet) – via Twitter. +
  46. +
  47. ^ https://x.com/thejaredbush/status/1954330342749569529 +
  48. +
  49. ^ Lee, Abigail (May 20, 2025). "'Zootopia 2' Trailer: Disney Sequel Introduces New Animals, Including Ke Huy Quan's Mysterious Snake". Variety. Retrieved May 20, 2025. +
  50. +
  51. ^ https://x.com/thejaredbush/status/1938119290819121273 +
  52. +
  53. ^ https://x.com/thejaredbush/status/1939806182635680157 +
  54. +
  55. ^ https://x.com/thejaredbush/status/1950307271428493415 +
  56. +
  57. ^ https://x.com/thejaredbush/status/1950981697765294259 +
  58. +
  59. ^ https://x.com/thejaredbush/status/1951492373948862716 +
  60. +
  61. ^ https://x.com/thejaredbush/status/1954327294232994089 +
  62. +
+

Primary sources

+

In the text, these references are preceded by a double dagger (‡): +

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+ + \ No newline at end of file diff --git a/scripts/move_images_to_folder.py b/scripts/move_images_to_folder.py new file mode 100644 index 000000000..3d5133910 --- /dev/null +++ b/scripts/move_images_to_folder.py @@ -0,0 +1,33 @@ +import os +import shutil +from tqdm import tqdm +from collections import defaultdict + +BASE_DIR = os.path.dirname(os.path.abspath(__file__)) +SOURCE_DIR = os.path.abspath(os.path.join(BASE_DIR, "../data/processed/wikipedia_html")) +DEST_DIR = os.path.abspath(os.path.join(BASE_DIR, "../data/processed/wikipedia_images")) + +os.makedirs(DEST_DIR, exist_ok=True) + +IMAGE_EXTS = (".jpg", ".jpeg", ".png", ".gif", ".webp", ".svg") + +all_images = [] +for movie_folder in os.listdir(SOURCE_DIR): + folder_path = os.path.join(SOURCE_DIR, movie_folder) + if not os.path.isdir(folder_path): + continue + for fname in os.listdir(folder_path): + if fname.lower().endswith(IMAGE_EXTS): + all_images.append(os.path.join(folder_path, fname)) + +skipped = 0 +copied = 0 + +for 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